作品捕捉搭乘小輪時的疏離瞬間。某個傍晚，我如常登上開往對岸的渡輪，卻與疫情期間空蕩舒適的船程形成對比，被擁擠人群與陌生語言包圍。抬頭望向遠方高樓的閃爍熒幕，內心湧現空洞感，熟悉之地漸漸陌生，彷彿失去所有連結，只剩無名空間。作品於洞外繪製數艘亮燈小輪與太陽，象徵喧囂熱鬧的環境；洞內則是一艘無燈停泊的小輪，喚起疫情時無人船程的回憶。透過渡輪場景，作品訴說現代都市的孤立與斷裂，喚起對歸屬與身份的反思。

The artwork captures a moment of alienation aboard a ferry. One evening, I boarded the vessel to the other shore, a stark contrast to the empty, tranquil journeys of the pandemic, now engulfed by crowded strangers and unfamiliar tongues. Gazing at the flickering screens on distant skyscrapers, a profound emptiness arises, transforming the familiar into the foreign, as if all connections have dissolved into a nameless void. Outside the frame, radiant ferries and a glowing sun evoke a bustling, noisy world; within, a solitary, unlit ferry at rest recalls the passengerless voyages of the pandemic. Through the ferry’s setting, the work articulates the isolation and disconnection of modern urban life, prompting reflection on belonging and identity.