在這件作品中，櫃子再次成為畫面的絕對主體，構成一個徹底封閉、幾乎沒有縫隙的壓抑空間。

這個櫃子內所收藏的不再是具象的島嶼、燈塔或完整的船隻，而是被定格的「巨浪」與「船隻遇險的瞬間」。那些曾經洶湧危險、足以吞噬一切的感官經歷與外部動盪，在此被藝術家小心翼業地拆解、分類並「保存」在規格一致的格層之中。這些浪潮不再流動，不再具有破壞力，而是化作一張張靜止的、被凝固的圖像，彷彿一段段動盪的記憶被永久封存進一個絕對安全的檔案櫃裡。透過這種歸檔，試圖將這段記憶留存，並時刻提醒著那曾經存在的、不可言說的危險。

In this artwork, the cabinet once again emerges as the absolute dominant subject, constructing a thoroughly enclosed and oppressive space with almost no apertures.

The contents archived within this cabinet are no longer tangible islands, lighthouses, or intact vessels. Instead, they are arrested moments of "colossal waves" and "ships in distress." Those sensory experiences and external upheavals—once tumultuous, perilous, and capable of consuming everything—have been meticulously dismantled, categorised, and "preserved" by the artist within uniform compartments. These waves no longer flow; they no longer possess destructive power. Instead, they have been transformed into static, frozen images, as if fragments of turbulent memory have been permanently sealed away within an absolutely secure archival system. Through this act of filing, the artist seeks to hold onto these memories, serving as a constant reminder of the unspeakable dangers that once prevailed.