當連沒有渡輪前往的荒島都能被鏡頭攝入，這亦意味著自由的生活空間逐漸消失，人們無處可逃。作品將香港無公共渡輪可達的荒島繪於絹本上，並在絹本縱橫交錯的紡織紋理後增添綠色燈光，使絹本的紋絡宛如電腦顯示器上的像素點，猶如一個個無處不在的監控攝影機，批判現代社會的窺視與束縛，喚起對自由與隱私的反思。

When even desolate islands without ferry access can be captured by the lens, it signifies the gradual disappearance of free living spaces, leaving people with nowhere to escape. The artwork depicts Hong Kong’s uninhabited islands, unreachable by public ferries, painted on silk. Green lighting is added behind the silk’s interwoven textile texture, transforming its weave into pixel-like patterns resembling omnipresent surveillance cameras. The work critiques the pervasive voyeurism and constraints of modern society, prompting reflection on freedom and privacy.