The triptych of scrolls displays stone arrangements encoded in a hybrid of Wabun and international Morse code, spaced to resemble musical staves, articulating three themes: reverence for nature, aspirations for abundance, and unspoken narratives. These patterns transcribe lyrics from Echigo’s folk songs "Bird-Chasing Song" and "Crow Dance", alongside Hong Kong’s Naamyam ballad "Autumn Sorrow of a Traveller." Beneath each hanging scroll sits a pair of stones—collected from Japan's Shinano River and Hong Kong's Sai Kung coast. Historically, both "Bird-Chasing Song" and "Autumn Sorrow of a Traveller" addressed taboo or marginalised subjects; here, they find expression through the silent language of stones.
