這幅作品以緩慢跌落（或升起）的銅箔太陽展開。在藝術家的「流離視角」下，傳統避風港外海波濤洶湧、內港風平浪靜的二元圖景被徹底顛倒：原本應是庇護之所的內港捲起巨大漩渦，連為航行船隻補給燃料的供油船也被無情吞沒，升起由氧化銀箔貼製而成的黑煙。

作品將危機從外部巨浪轉移至內部港灣——摧毀不再來自外在風暴，而是從「最安全」的避難所悄然爆發。這黑煙不再是推進的痕跡，而是崩解的證據——曾經象徵慰藉與庇護的平靜，已在無形的內在力量下崩潰。當世界表面風平浪靜，內心的慰藉與平靜卻永遠無法回復。

This work unfolds through the slowly falling (or rising) copper foil sun. Through the displaced perspective, the traditional binary landscape of tempestuous outer sea and tranquil inner typhoon shelter is utterly inverted: the inner harbour, intended as a sanctuary, now roils with a gargantuan vortex, ruthlessly engulfing even the fuel barges supplying sailing vessels, rising with black smoke crafted from oxidised silver leaves.

The artwork shifts the crisis from external massive surges to the internal harbour—destruction no longer comes from outer storms but quietly explodes from the "safest" place of sanctuary. This black smoke is no longer a trace of progress but evidence of disintegration—the peace that once symbolised consolation and shelter has collapsed under invisible inner forces. While the world’s surface appears calm, inner consolation and peace can never be regained.